Look, I am happy for anyone who reads for fun. You know, reading novels, for pleasure, instead of for work or to sporadically google new ways to get rid of that genital rash. But Jodi Fucking Picoult (JFP) is just really a bit too much.
For those of you who remain blissfully unaware, JFP writes books (can’t bring myself to call them “novels”) that are usually fictionalized accounts of modern hot-button issues. She’s like Nancy Grace’s therapist and ghost writer. She wrote 19 Minutes, about school shootings, and recently they made one of her 300 page nightmares into a movie, My Sister’s Keeper(about sibling cell harvesting, apparently. And assistive dogs that can sense epilepsy). However, whether she’s scrutinizing the Amish, witches, little girls who talk to Jesus, child molestations (a resurring theme) or wives of cops (another recurring theme), I want to save you the trouble of ever having to actually read one of these horrors. She is so laughably formulaic that you pee a little each time you crack a spine. Here is the basic synopsis of ALL JFP books:
1. There will be an ironic title to the book, whose full meaning will not be revealed until the middle of the book. It will be a double meaning. It will be deep. And Ironic. Did we mention Ironic? Then, introduce sappy heroine who is likely redheaded [see: pictures of Jodi Picoult] and probably a mother. She will have ISSUES.
2. Some giant fucking tragedy will strike (past tragedies run the gamut from teen suicide pacts to singular infidelity to child rape, so you never know). This will, naturally, upset the sappy heroine. She will be given at least one introspective chapter in which she gazes at a leaf or a child’s toy or some bullshit and gets weepy. This will be the part that the people at Lifetime start masturbating and listening to Taylor Swift songs to use in the movie soundtrack.
3. THEN THERE’S A TRIAL. We will be introduced to a plucky lawyer who will inevitably save the day with some “innovative” way of looking at it. We will be taught that JUSTICE is all a matter of PERSPECTIVE. So suck it, law-abiding citizens, ’cause that death row criminal? He saves BABY BIRDS! You monsters, for putting him on death row for raping a child and killing her dad.
4. The sappy heroine and her plucky lawyer will have LEARNED A LESSON. If they are members of the opposite sex, and the sappy heroine’s husband has been conveniently been offed, they will hook up. And then JFP will RE-USE these characters in a later book because she arrogantly assumes her readers still give a shit about one of her previously retch-worthy little tomes.
5. The World Will Be a Better Place. For NOW. There will be another introspective chapter, perhaps from a different character’s viewpoint, and the reader will be left with a little glow of pleasure, feeling that as long as JFP is involved in our justice system, surely the world will improve.
I usually read these books on vacation (read: DRUNK), so I have actually worked my way through quite a hefty pile of her wordy prose and manically expressed hysteria and emoting. Just recently I tried to read one sober and it nearly fucking killed me [Change of Heart]. It was like she viciously raped The Green Mile with a giant Lifetime Original Movie dildo, then threw in a wonky priest and a resurrected dog just for kicks.
In fact, here are some of the more glaring thefts from The Green Mile that JFP shamelessly lifted:
1. Magic Negro character is a Magic Retard in Change of Heart
2. Instead of the innately good Tom Hanks character, who feels guilty over the death penalty, we have an innately good priest, who feels guilty over the death penalty … because he was on the trial that convicted the Magic Retard! *gasp of ironic shock*
3. The Magic Negro is wrongfully accused of raping and killing little girls… The Magic Retard is wrongfully accused of raping and killing a little girl
4. The Magic Negro uses his Christ-like powers to rescue a friend from a manly yeast infection, save a dead mouse, and cure cancer… The Magic Retard uses his Christ-like powers to rescue a friend from being shanked, save a dead bird, and cure AIDS
5. Both men die despite proving their innocence to the main protagonist (who are each convinced based on the word of mentally unbalanced, illiterate convicts alone), but they leave the world a BETTER PLACE.
6. The Magic Negro passes some of his Magic onto the sweet, barely developed-as-a-character Mr. Jinxes (a mouse) … The Magic Retard passes some of his Magic onto the sweet, barely developed-as-a-character Claire (a mousey little girl with a bad heart).
You’re welcome, Stephen King. I just helped you win a lawsuit.
JFP also clearly thinks she has a pretty good handle on inspirational twist endings, though most are so hysterically heavy-handed that it makes Degrassi Junior High look like serious drama. Sometimes the “twist” is revealed at the INEVITABLE GODDAMN TRIAL, so the ending will be a wistful reflection on all they’ve all learned. In The Pact, for example, you discover via flashback that the main female lead desires suicide because she was once diddled in a Burger King bathroom by a janitor. Or in Plain Truth, you find out that the nice Amish girl didn’t kill her baby — it was the unpasteurized milk to blame! Or in The Tenth Circle, Eskimos help a young girl come to terms with her nasty habit of calling rape on boys she gives blowjobs to at Rainbow parties (I am not kidding).
The Magic Retard book ends with a little girl resurrecting her dead goddamn dog. I could not even make that shit up.
So, kindly go fuck yourself in a verdant green field full of tragedy and supposed symbolism, JFP. And please, for the love of all that’s holy, develop Parkinson’s or something to keep your talons effectively away from a keyboard.*

"Researching" her next novel on donkey rape
*If JFP developed Parkinson’s, she’d just write a fucking book about it. Utilizing the help of some neighbor kid. Whom she’d become attached to. Who would then be hit by a car and killed. THEN THERE’S A TRIAL. And we’d all learn another goddamn lesson.